LEVELS, a sci-fi action -emphasis on the action- film from writer and director Adam Stern, hits cinemas. After award-winning sci-fi shorts, LEVELS is Stern’s impressive debut feature film. The film is fast paced and full of spectacular Visual FX that are made to be seen.

Joe (Peter Mooney) is consumed with grief after his girlfriend, Ash (Cara Gee), is shot in broad daylight. After Joe avoids death multiple times by impossible feats of logic, Ash contacts him and explains that the world he lives in is not the only reality. The question then is how they can reunite with interdimensional hitmen hunting them.

LEVELS features plot points and futuristic technology that is pretty standard for a sci-fi action film, but they’re classic for a reason- they work. Despite its familiar aspects, LEVELS is fresh enough to stand out. With unique concepts that aim big and feel relevant given current AI controversies

LEVELS would be a great popcorn flick for those who want to dip their toes into sci-fi without becoming completely lost in techno babble. If people hit the cinema to watch absolute messes such as LOOPER, they should equally flock to see LEVELS. Unlike films of Looper’s ilk, LEVELS is a sci-fi that won’t leave you scratching your head. With satisfying answers to the questions it raises, the film’s pretty much flawless world-building is rare and much appreciated.

LEVELS prioritises action over character building and development, but sometimes, you can’t have it both ways. The film still has great performances from its leads and supporting cast. Aaron Abrams‘ tyrannical villain hits that sweet spot just below cartoonishly evil for it to be fun.

Wherever the film lacks, it makes up for in other areas, and the film is a visual feast that is well worth a trip to the big screen. LEVELS screens in select cinemas in Canada and the US from November 1st via Vortex Media and RLJE Films.

” LEVELS is a sci-fi that won’t leave you scratching your head. With satisfying answers to the questions it raises, the film’s pretty much flawless world-building is rare and much appreciated. “