Canadian Anthony Scott Burns‘ latest film COME TRUE is a hallucinatory Sci-fi horror exploring one of man’s final frontiers- the unknown corners of REM sleep. The film is out now on VOD but is also in cinemas in the U.S and if any indie horror is made for the big

VOLITION is a Canadian sci-fi thriller which explores themes of fate and free will. It enmeshes the concepts of clairvoyance and time travel in a way that seems so obviously perfect, yet it is one of the only films to do so. The film is directed by Tony Dean Smith

I had the exquisite pleasure of attending (prior to the COVID-19 pandemic) the world premiere of OUIJA SHARK at Toronto’s oldest and most run down theatre, The Grand Gerrard. I had no prior information about this film other than it’s title and poster but that was more than enough to

Independent science fiction has consistently provided us with food for thought by scaling back and stripping down stories to put the focus on the future and the ramifications it will have on us as people. The desired effect is to appeal to our humanity.  However, trying to find that “perfect”

As someone who mostly consumes horror and a touch of sci-fi, I wouldn’t be caught dead watching a romance film. so imagine my astonishment when I was duped into watching a Romeo and Juliet type movie about forbidden love. The love story in question was under the guise of the

Screening this weekend at the TORONTO TRUE CRIME FILM FESTIVAL is the short film 42 COUNTS. Written, edited and directed by Jill Gevargizian, the film is based on real events with the title of the film referring to the number of charges laid against the perpetrator in one arrest. Ava

This decade has seen a significant amount of films from the new wave of body horror sub-genre. More specifically, with female lead story-lines that provide a first hand perspective of the transformation experience.  As body horror targets our inner fears and anxieties about things going wrong with the vessels we

LOWLIFE is a film that gives you a lot to like, but it isn’t without its difficulties. Playing as a part of this year’s Toronto After Dark Film Festival, it’s definitely one of the stranger films in the program line-up. It’s not perfect, but there’s enough there to keep you