So it’s no big secret that sci-fi isn’t exactly my bag, but I always try to keep an open mind.  Matt Campagna, my film review partner-in-crime, happens to adore sci-fi and sees so much good in it, even when it’s bad.  That brings us to today’s review, THE ORVILLE. THE

Let me get something out of the way first and foremost: DO NOT LOOK AT THE POSTER FOR BUSHWICK. Do not watch the most recent trailer and don’t go to the films IMDB page.  You just have to trust me on this one.   I say this because one of

THE DARK TOWER was first and foremost an eight part book series by Stephen King. Now it is a 90 minute film that from all accounts does the books, its characters, and THE DARK TOWER universe itself no justice. With that being said, one could say it’s a misrepresentation to

ANNABELLE: CREATION is the prequel to ANNABELLE which chronologically is prior to the THE CONJURING franchise in the James Wan (SAW, INSIDIOUS)  universe. The film starts with a bang and it’s surprisingly grim. We have just gotten the lay of the land in one of those signature shots that reveals

KODOKU MEATBALL MACHINE ( also known as POISON MEATBALL MACHINE) is directed by Yoshihiro Nishimura (TOKYO GORE POLICE) and is a follow-up of sorts to the 2005 film MEATBALL MACHINE. Its no coincidence that Nishimura went on to direct KODOKU MEATBALL MACHINE as he also served as special effects and

I am clearly a glutton for punishment and must hate myself because after watching VALERIAN AND THE CITY OF A THOUSAND PLANETS and reviewing it here, I went on to talk about it for 40 minutes with my friend and Director Matt Campagna ( MUTANT WORLD, HUNTER’S MOON). Matt and