We are in day 7767356587758745758687368 of the COVID 19 pandemic and like everyone else, I have watched a lot of content. Films, television series, web series, you name it – I have probably watched it. Unfortunately for me I am finding that all of this binge watching has made it

When punk culture was inevitably co-opted and absorbed by the Hot Topic crowd sometime in the 90s, the remnants of the “real shit” retreated back where it belongs- sketchy basements and $1 beer dives. Similarly, with the rise of zoomer-targeted YouTube “comedians” and direct-to-Netflix ADAM SANDLER movies, perhaps now the

FEAR FOREVER (FF): Your visual work is almost like an electronic artist doing sample-based music. You do live visuals for bands like BLACK DICE and PANDA BEAR. What’s that like? What kind of software do you use? DANNY PEREZ (DP): I’ll give you the short version. I graduated NYU film

Danny Perez isn’t exactly a household name but his films and video work have amassed a big enough following to be considered “cult.” Maintaining a psychedelic visual approach Perez seamlessly blends dramatics, comedy and true horror in his work, which he admits, is “a confusing sensation for mainstream audiences.” 2020

Rumors about an Elvis Presley covers album by DANZIG frontman Glenn Danzig have been floating around since the early 90’s.  He first showed the world his take on an Elvis tune with “Trouble” as a B-side on the THRALL- DEMONSWEATLIVE EP in 1993, which had been previously recorded by his

VEROTIKA is a 3-part horror anthology film based on Glenn Danzig‘s comic book series of the same name and it’s now available to stream online via Apple and Amazon Prime and came out on DVD and Blu-Ray on March 17th. Let me start off by saying, I am a huge

The irony of releasing a re-issue of the soundtrack to a film  about a world where the mass media is used for manipulative mental warfare so as to reprogram humanity into obedient, heavily consuming, big spending, over populating robots is not lost. That being said, for fans of John Carpenter’s 

Although his career had been blossoming throughout the nineties, I first heard of MORTIIS when his single PARASITE GOD came out in 2002. The music video left a huge impression on me. I’d never seen a rock band fronted by a goblin before. Three years later I found myself in

One of metals heaviest hitters is dungeon synth maestro MORTIIS.  Prior to the  Toronto show on his Era One Tour,  the goblin genius himself sat down with FEAR FOREVER’s Jordan Randall and Kalen Artinian to chat about his career, the metamorphosis of MORTIIS and some things that are just off

Legend has it that the 1938 Halloween radio broadcast of Orson Welles‘ THE WAR OF THE WORLDS caused widespread panic, with people genuinely believing and fearing that the world was being invaded by aliens. While inciting mass terror is not necessarily the desired outcome, one could argue that the very