I asked myself a question the other day: will deer skulls ever not be absolutely terrifying? My answer is still, “no, get those things away from me.” They are creepy as hell, as Jordan Graham‘s folk horror film SATOR substantiates. The film is a backwoods nightmare wherein the forest and

Canadian Anthony Scott Burns‘ latest film COME TRUE is a hallucinatory Sci-fi horror exploring one of man’s final frontiers- the unknown corners of REM sleep. The film is out now on VOD but is also in cinemas in the U.S and if any indie horror is made for the big

When AFTER MIDNIGHT ends, you cannot help but start a conversation about it. The movie is an automatic spark that entices anyone to chat about its hidden point, and the clear intention of the very weird plot it carries to the end. I guarantee you that conversation will not end

THE FINAL GIRLS BERLIN FILM FESTIVAL finished the first of its 2021 events at the beginning of February. The festival is lauded for creating a space for celebrating women and non-binary filmmakers’ unique contributions to the horror genre. No doubt its second run this October will once again be full

The Final Girls Berlin Film Festival showcases horror cinema directed, written, or produced by women and non-binary filmmakers. Though women continue to make a strong presence for themselves in the horror genre, chances like these are still an important event on the road to gender equality in the film industry.

What a long strange trip it’s been…and I’m not talking about The Grateful Dead. I’m talking about the year 2020, or the year Covid-19 brought the entire planet to a screeching halt, or the great global dumpster fire…whichever you prefer. 2020 was in and of itself a horror movie in

“Wow…That’s so Exciting! We don’t have any of you in town” Welcome to the neighbourhood! Its 1995 and partners Malik (Jeffrey Bowyer-Chapman) and Aaron (Ari Cohen) have decided to leave the dangerous streets of Chicago for a safer, quieter small town life. In tow is their “less than excited to

BRIGHT HILL ROAD is a road-side motel supernatural thriller from director Robert Cuffley and writer Susie Moloney. The setting in this little Canadian film is not quite the Bates Motel, although it does have some creepy medical textbooks in the reading room and a dark, spooky basement.   When Marcy fires

In the last few years of the decade, horror films started featuring a more raw, animalistic vampire. This trend may have appeared as a way to distance the classic horror monster from the teen romance epidemic of the mid to late 2000s. In doing so, perhaps we have forgotten how

Whoever said horror films can’t be smart, obviously hasn’t seen Brandon Cronenbergs’ latest film POSSESSOR UNCUT. I was lucky enough to catch this artistic bloodfest as a part of Telluride Horror Show’s closing night. Telluride always brings the heat on the final day of the fest, and the 2020 Shelter-In-Place